Cloud Atlas, by David Mitchell. One of the most exciting novels you'll ever read: a dazzling, ingenious, visionary exploration of the theme of eternal recurrence.

The Tragedy of Arthur, by Arthur Phillips. Witty, self-reflexive novel about a forged—or is it rediscovered?—Shakespeare play called The Tragedy of Arthur. Fans of Nabokov and Auster will enjoy this tale, which is post-modern in the best sense.

Wolf Hall, by Hilary Mantel. Delightfully detailed historical novel about Thomas Cromwell, a mysterious figure attached to Henry VIII during his break from the Roman Catholic Church. Mantel evokes sixteenth-century life with masterly breadth and precision.

The Boy in the Moon, by Ian Brown. Poignant, provocative memoir by the father of a son with a rare, severely disabling medical condition; a profound meditation on the nature and limits of the human.

A Visit from the Goon Squad, by Jennifer Egan. This novel in stories employs a dazzling array of voices and styles to track a set of loosely-linked people associated with punk rock music, and to trace the depredations visited upon them by the "goon squad" of time. Egan’s light touch allows her deeper themes to emerge almost effortlessly.

Barefooted Town, by David Binney. A scintillating set of new originals from this prolific post–bop alto player, showcasing a broad palette of textures and timbres; also spotlights tenorist Mark Turner and emerging trumpeter Ambrose Akinmusire.

Transatlantic, by Chris Potter and the DR Big Band. Dense, thoughtful arrangements of Potter’s compositions fuel inspired his soloing on this album of propulsive original tracks.

The Time of the Sun, by Tom Harrell. The latest in Harrell’s string of superlative recordings with his exciting quintet. The compositions—all Harrell’s—encompass a myriad of styles, ranging from the moody title track to the funky "Ridin.’" Listen for virtuoso tenor player Wayne Escoffery.

Bird Songs, by Joe Lovano and Us Five. These compelling re-imaginings of Charlie Parker tunes will make you appreciate their beauty all over again. The most revelatory rendering is the group’s remodeling of the usually rapid "Donna Lee"---as a ballad. Rising star Esperanza Spalding plays bass.