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Mark Osteen

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A Brief Biography (Part II)

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So we loaded up the truck and we moved to Baltimore. Maryland, that is; crab cakes, bouffant hair. But we no longer felt like hillbillies; in fact, after six years in Atlanta, Charm City looked like hicksville: a decaying downtown, no good bookstores, a provincial air. It was several years before we felt at home.

      Les got pregnant that first year in Baltimore, and on July 4, 1989, our son Cameron Scott was born, six weeks early. Cam was an unusual child: at age one, he wanted to read books, but he never played with toys. By 18 months, he'd lost most of his words; by age two-and-a-half, we learned he had autism. Our life with Cam has been an enormous struggle, a difficult learning experience, but also a peculiar sort of triumph. I detail these experiences in my book One of Us: A Family's Life with Autism. Click here to visit neurodiversity.com, one of the best and least-biased autism websites.

      I've stayed at Loyola since then, publishing many articles and six books, and teaching a wide variety of courses; in 1995 I was tenured, and in 2001 I was promote to full professor, and in 2000 I won Loyola's Nachbahr Award for outstanding research in the humanities. In 1996 I decided also to enhance my long-held interest in movies as well as Loyola's curriculum, by founding a Film Studies minor at Loyola. I particularly enjoy research and teaching that combines different disciplines. For example, I've edited two books dealing with the intersections of literature, economics and anthropology, and last year I edited a special issue of Genre on jazz and jazz writing. In October, 2005, I organized a conference called Representing Autism: Writing, Cognition, Disability, which was the first conference devoted to autism and the humanities. Click here to see the conference program and other information. My most recent book, Autism and Representation, gathers essay derived from that conference. 

      I've also maintained my musical avocation. After hanging up the horns for three years, in 1991 I picked them up again to join the Loyola College Jazz Ensemble. In 1993 I met Brian Smith and Phil Ravita, and we began rehearsing at Loyola with an ex-student of mine, guitarist Greg Schlimm. Within a few months, Cold Spring Jazz Quartet was born. Greg left in 1996, and we replaced him with another Greg, drummer Greg Mack. With this lineup, CSJQ performed in the Baltimore-Washington region until 2002, when we started working with a new bass player, Gary Kerner.

      CSJQ is a mainstream jazz group, but our diverse repertoire features everything from blues to standards, bop to contemporary jazz. In 2003 we recorded and released our first CD, Same Place. Different Time. In 2008, we recorded and released our second disc, Urban Pastoral. For more information, please visit our website: http://www.coldspringjazz.com. I also work as a freelance sideman on saxophone whenever I get calls from other local jazz groups. Click here for my musical resume.

      In 2004 I helped found a new not-for-profit organization called Baltimore Jazz Alliance, devoted to furthering the interests of jazz in this region. I'm now president of this organization, which has sponsored youth concerts, educational initiatives, the first Baltimore Composers' Showcase, a compilation CD, and a music book, among other projects. To buy the CD or book, please visit our website: http://baltimorejazz.com.

      Writing, reading and teaching literature, and playing music remain the three most important areas of my intellectual and artistic life. Each of them offers challenges and delights sufficient for multiple lifetimes. But my greatest joys come from spending time with my wife and son. They matter much more than any achievement, vocation or hobby.

Recommended Reading

Cloud Atlas, by David Mitchell. One of the most exciting novels you'll ever read: a dazzling, ingenious, visionary exploration of the theme of eternal recurrence.

The Tragedy of Arthur, by Arthur Phillips. Witty, self-reflexive novel about a forged—or is it rediscovered?—Shakespeare play called The Tragedy of Arthur. Fans of Nabokov and Auster will enjoy this tale, which is post-modern in the best sense.

Wolf Hall, by Hilary Mantel. Delightfully detailed historical novel about Thomas Cromwell, a mysterious figure attached to Henry VIII during his break from the Roman Catholic Church. Mantel evokes sixteenth-century life with masterly breadth and precision.

The Boy in the Moon, by Ian Brown. Poignant, provocative memoir by the father of a son with a rare, severely disabling medical condition; a profound meditation on the nature and limits of the human.

A Visit from the Goon Squad, by Jennifer Egan. This novel in stories employs a dazzling array of voices and styles to track a set of loosely-linked people associated with punk rock music, and to trace the depredations visited upon them by the "goon squad" of time. Egan’s light touch allows her deeper themes to emerge almost effortlessly.

Recommended Listening

Barefooted Town, by David Binney. A scintillating set of new originals from this prolific post–bop alto player, showcasing a broad palette of textures and timbres; also spotlights tenorist Mark Turner and emerging trumpeter Ambrose Akinmusire.

Transatlantic, by Chris Potter and the DR Big Band. Dense, thoughtful arrangements of Potter’s compositions fuel inspired his soloing on this album of propulsive original tracks.

The Time of the Sun, by Tom Harrell. The latest in Harrell’s string of superlative recordings with his exciting quintet. The compositions—all Harrell’s—encompass a myriad of styles, ranging from the moody title track to the funky "Ridin.’" Listen for virtuoso tenor player Wayne Escoffery.

Bird Songs, by Joe Lovano and Us Five. These compelling re-imaginings of Charlie Parker tunes will make you appreciate their beauty all over again. The most revelatory rendering is the group’s remodeling of the usually rapid "Donna Lee"---as a ballad. Rising star Esperanza Spalding plays bass.

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