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Mark Osteen

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Curriculum Vitae

Mark W. Osteen
6700 Tweedbrook Rd.
Baltimore, MD 21239
mosteen@loyola.edu
410-339-7721 (home); 410-617-2363 (office)

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Education
Teaching Experience
Publications
Current Research and Writing
Invited Speeches and Public Addresses
Conference Papers and Panels
Books Reviewed
Awards and Grants
Professional Memberships and Offices

Other Professional Experience
Courses Taught
Academic Service
Personal



Education

  • PhD, Emory University, 1987. Dissertation: "Making Both Ends Meet: The Economy of Ulysses." Director: Richard Ellmann.
  • MA, English, University of Montana, 1982.
  • BA, with High Honors, University of Montana. Majors: English and Philosophy, 1977.

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Teaching Experience

  • 2000-present. Professor of English and Director of Film Studies, Loyola College in Maryland.
  • 1993-99. Associate Professor of English, Loyola College in Maryland.
  • 1988-93. Assistant Professor of English, Loyola College in Maryland.
  • 1987-88. Visiting Assistant Professor, Emory University.
  • 1984-86. Teaching Assistant, Emory University.
  • 1980-82. Teaching Assistant, University of Montana.

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Publications

BOOKS (Author):

American Magic and Dread: Don DeLillo's Dialogue with Culture. Penn Studies in Contemporary American Fiction. Philadelphia: U of Pennsylvania P, 2000. 301 pages.

Favorable reviews:

  • Kirk Nesset, American Literature 73:3 (September, 2001): 652-3.
  • Theron Britt, Modern Fiction Studies 48:3 (Fall 2002): 763-65.
  • Philip Nel, Studies in the Novel 35.1 (Spring 2003): 128-31.
  • Thomas Carmichael, "Evanescence, Language and Dread: Reading Don DeLillo." Contemporary Literature 44.1 (2003): 176-80.

The Economy of Ulysses: Making Both Ends Meet. Irish Studies. Syracuse: Syracuse UP, 1995. 472 pages.

** Awarded Donald Murphy Prize for Best First Book in Irish Studies by the American Conference for Irish Studies. **

Favorable reviews:

  • Robert D. Newman. Choice (33:4). December 1995. 2008.
  • Steven Connor. "Balancing the Book." James Joyce Broadsheet 44 (June 1996): 1.
  • Gregory Castle. "The Economies of Ulysses." English Literature in Transition, 1880-1920 39. 4 (1996): 510-14.
  • Garry M. Leonard. "Small Change Adds Up." James Joyce Literary Supplement 10:2 (Fall 1996): 10.
  • Unsigned Review. The Year's Work in English Studies 1995. London: Blackwell, 1996. 541.
  • Michael Patrick Gillespie. James Joyce Quarterly 35 (1998): 479-83.

BOOKS (editor):

  • Autism and Representation. Routledge Research in Cultural and Media Studies. New York and London: Routledge, 2008. A collection of 16 essays on autism and the humanities; includes introduction and nonfiction piece listed below. 313 pages. Positive reviews: 
  1. Felice Aull. Literature, Arts, Medicine database. http://litmed.med.nyu.edu/Annotation?action=view&annid=12873
  2. Michael Fitzpatrick. "The Ghost of the Refrigerator Mother. Spiked Online. http://www.spiked-online.com/index.php?/site/article/5961/
  • The Question of the Gift: Essays Across Disciplines. Routledge Studies in Anthropology. London and New York: Routledge, 2002. A collection of 14 essays; includes introduction and essay listed below. 310 pages. Favorable Review: Hirozaku Miyaki, American Anthropologist 107.1 (March 2005):137-8.
  • White Noise: Text and Criticism by Don DeLillo. Viking Critical Library. New York: Viking/Penguin, 1998. 538 pp. Wrote introduction, study questions; compiled bibliography; selected secondary materials.
  • The New Economic Criticism: Studies at the Intersection of Literature and Economics. London and New York: Routledge, 1999. A collection of 23 essays. 437pp. (Co-edited with Martha Woodmansee). Includes introduction listed below.

JOURNAL ISSUE

  • Guest Editor: "Blue Notes: Toward a New Jazz Discourse." Special double issue of Genre: Forms of Discourse and Culture 37.1-2 (Spring & Summer, 2004). Wrote introduction, edited 13 essays and four reviews. 352pp.

SCHOLARLY JOURNAL ARTICLES

  • "Jazzing the Gift: Improvisation, Reciprocity, Excess." Forthcoming in Rethinking Marxism.
  • "Framed: Forging Identities in Film Noir." Forthcoming in Journal of Film and Video.
  • "Noir's Cars: Automobility and Amoral Space in American Film Noir." Journal of Popular Film and Television 35.4 (Winter 2008): 183.92.
  • "Face Plates: T-Men, Counterfeiting and the Problem of Noir Representation." Quarterly Review of Film and Video 24.2 (Spring 2007): 125-42.
  • "Echo Chamber: Undertaking The Body Artist." Studies in the Novel 37.1 (2005): 64-80.
  • "Introduction: Blue Notes Toward a New Jazz Discourse." Genre: Forms of Discourse and Culture 37.1 (Spring 2004): 1-46.
  • "The Great Expectations of Stephen Dedalus." James Joyce Quarterly 41.1-2 (Fall 2003 /Winter 2004): 169-83.
  • "Ritual and Reenactment in Andre Dubus's Short Fiction." Special Issue: The Work of Andre Dubus. Religion and the Arts 6.1/2 (Spring, 2002): 73-89.
  • " 'It Doesn't Pay to Antagonize the Public': Sabotage and Hitchcock's Audience." Literature/Film Quarterly 28 (2000): 259-68.
  • "Becoming Incorporated: Spectacular Authorship and DeLillo's Mao II." Modern Fiction Studies 45 (1999): 643-74.
  • "Children of Godard and Coca-Cola: Cinema and Consumerism in Don DeLillo's Early Fiction." Contemporary Literature 37 (1996): 439-70.
  • " 'A Splendid Bazaar': The Shopper's Guide to the New Dubliners." Studies in Short Fiction 32 (1995): 483-96 [Review-Essay].
  • "The Treasure-House of Language: Managing Symbolic Economies in Joyce's Portrait." Studies in the Novel 27 (1995): 154-68.
  • "The Big Secret: Film Noir and Nuclear Fear." Journal of Popular Film and Television 22:2 (Summer 1994): 79-90.
  • " 'A Moral Form to Master Commerce': The Economies of DeLillo's Great Jones Street." Critique 34 (1994): 157-72.
  • "Phantoms of Liberty: The Secret Lives of Leviathan." Review of Contemporary Fiction. 14:1 (Spring, 1994): 87-91.
  • "Seeking Renewal: Bloom, Advertising, and the Domestic Economy." James Joyce Quarterly 30:4/ 31:1 (1993): 717-38.
  • "The Money Question at the Back of Everything: Clichés, Counterfeits and Forgeries in Joyce's 'Eumaeus.'" Modern Fiction Studies 38 (1992): 821-43.
  • "Serving Two Masters: Economics and Figures of Power in Joyce's 'Grace.'" Twentieth Century Literature 37 (1991): 76-92.
  • "The Intertextual Economy in 'Scylla and Charybdis.'" James Joyce Quarterly 28 (1990): 197-208.
  • "Narrative Gifts: 'Cyclops' and the Economy of Excess.'" Joyce Studies Annual 1990. Ed. Thomas F. Staley. Austin: U of Texas P, 1990. 162-96.
  • "Against the End: Asceticism and Apocalypse in Don DeLillo's End Zone." Papers on Language and Literature 26 (1990): 143-63. Reprinted in A Library of Literary Criticism, Modern American Literature, vol. 6. Third Supplement (Continuum, 1996).

BOOK CHAPTERS

  • "Rhythm Changes: Contrafacts, Copyright and Jazz Modernism." Forthcoming in Modernisma and Copyright,ed. Paul K. Saint-Amour, from Oxford UP.
  • "Don DeLillo." Blackwells Companion to US Fiction. Ed. David Seed. Forthcoming, 2009.
  • "DeLillo's Dedalian Artists." The Cambridge Companion to Don DeLillo. Ed. John N. Duvall. Cambridge: Cambridge UP, 2008. 137-50.
  • "Autism and Representation: A Comprehensive Introduction." Autism and Representation. Ed. Mark Osteen. New York and London: Routledge, 2008. 1-47.
  • " 'The Natural Language of the Culture': Exploring Commodities through White Noise."Approaches to Teaching DeLillo's White Noise. Ed. Tim Engles and John N. Duvall. New York: MLA, 2006. 192-203.
  • " 'A Regular Swindle': The Failure of Gifts in Dubliners." Twenty-First Joyce. Eds. Ellen Carol Jones and Morris Beja. Gainesville: UP of Florida, 2004. 13-35.
  • "Luminous Spaces: Teaching Heart of Darkness through Film." Approaches to Teaching Conrad's "Heart of Darkness" and "The Secret Sharer." Ed. Hunt Hawkins and Brian W. Shaffer. New York: MLA, 2002. 158-66.
  • "Introduction: Questions of the Gift." The Question of the Gift: Essays Across Disciplines. Ed. Mark Osteen. London and New York: Routledge, 2002. 1-41.
  • "Gift or Commodity?" The Question of the Gift: Essays Across Disciplines. Ed. Mark Osteen. London and New York: Routledge, 2002. 229-47.
  • "Marketing Obsession: The Fascinations of Running Dog." Critical Essays on Don DeLillo. Eds. Hugh Ruppersburg and Tim Engles. New York: G. K. Hall, 2000. 135-56.
  • "Taking Account of the New Economic Criticism: An Historical Introduction" (w/ Martha Woodmansee). Woodmansee and Osteen, eds. The New Economic Criticism. 3-50.
  • "A High Grade Ha: The 'Politicoecomedy' of Headwear in Ulysses." Joycean Cultures/ Culturing Joyces. Ed. Vincent J. Cheng, Kimberly J. Devlin, and Margot Norris. Newark: U of Delaware P, 1998. 253-83.
  • "Female Property: Women and Gift Exchange in Ulysses." Gender in Joyce. Ed. Jolanta W. Wawrzycka and Marlena G. Corcoran. Gainesville: UP of Florida, 1997. 29-46.
  • "Cribs in the Countinghouse: Plagiarism, Proliferation, and Labor in 'Oxen of the Sun.'" Joyce in the Hibernian Metropolis: Essays. Ed. Morris Beja and David Norris. Columbus: Ohio State UP, 1996. 237-49. Reprinted in Ulysses: New Casebooks. Ed. Rainer Emig. London and New York: Palgrave Macmillan, 2004. 125-40.

CREATIVE NONFICTION

  • "In the Echo Chamber." Weber: The Contemporary West. Forthcoming, 2010.
  • "The Play of Shadows." Weber: The Contemporary West. Forthcoming in 2009.
  • "Urinetown: A Chronicle of the Potty Wars." Autism and Representation. Ed. Mark Osteen.    New York and London: Routledge, 2008. 212-25.

SHORTER PIECES

  • "Meredith/Joyce: Bella Mount and Bella's Mount." James Joyce Quarterly 35:4/36:1 (Summer/Fall, 1998): 873-78.
  • "The Music of Chance," "A Portrait of the Artist as a Young Man," "Ulysses." The Encyclopedia of Novels Into Film. Ed. John C. Tibbetts and James M. Welsh. New York: Facts-on-File, 1998. 287-88; 327; 443-44.
  • "Ellmann's Yeats: A Bibliography." Yeats Annual No. 7. Ed. Warwick Gould. London: Macmillan, 1990. 137-44.
  • "Gabriel's Sarcasm: A Lost Line in 'The Dead.'" James Joyce Quarterly 25 (1988): 259-62.

PAMPHLET

  • "Accepting the Gift: The Life of the Mind or Minding the Life?" 2000 Nachbahr Lecture. Baltimore: Loyola College in Maryland, 2001.

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Current Research and Writing

  • Book: One of Us: A Family's Life with Autism. Completed in manuscript.
  • Book: The Big Night: Film Noir and American Dreams. In progress.
  • Edited volume: Baltimore Jazz History, as part of Aperio seminar with selected Loyola students. In progress.
  • Essay: "Lighted Squares: Framing 'Araby'" (with Kathryn Conrad). Accepted for collection entitled Collaborative Dubliners: Critical Dialogues on Joyce's Dubliners. Ed. Vicki Mahaffey. 21pp in manuscript. Volume under consideration.
  • Essay: "Shared Attention: Hearing Cameron's Voice." Accepted for anthology entitled Papa PhD: Essays on Fatherhood by Men in the Academy. Eds. Mary Ruth Marotte, Paige Reynolds, and Ralph James Savarese. 11pp. Volume under consideration.

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Invited Speeches and Public Addresses

  • "Narrating Autism." Lecture, Saturday Seminar (Loyola College), April, 2009.
  • "Ulysses and Bloomsday." Talk on WYPR Public Radio, June, 2008.
  • "So What is Modern Jazz? A History of Segments and Fusions." Public lecture for Jammin' at the Mansion concert series, Baltimore, May, 2005.
  • "The Currency of Economic Criticism." Lecture given at the Georg Brandes School, University of Copenhagen, Denmark. September, 2004.
  • "The Currency of Economic Criticism." Keynote Address. Critical Exchanges: Economy and Culture in the Literature of Russia. Northwestern University, May 8, 2004.
    Response to Juniper Ellis, "Justice Matters in a University." Loyola College, March 2002.
  • "Accepting the Gift: The Life of the Mind or Minding the Life?" Nachbahr Award Lecture. Loyola College in Maryland, October, 2000.
  • "Four Types of Economic Criticism." Plenary Address. Conference on Culture and Economics, Exeter, England, July, 1998.
  • "The Political and the Anti-Political in Twentieth-Century Irish Literature." Public Lecture, Baltimore Irish Festival, September, 1997.

NONFICTION READINGS

  • "In the Echo Chamber." SAMLA Convention, Atlanta, November, 2007.
  • "Ecce Homo." Autism and Advocacy Conference, Fordham University, October, 2006.
  • "Urinetown: A Chronicle of the Potty Wars." At Representing Autism: Writing, Cognition, Disability Conference, Case Western Reserve U, Cleveland, OH, October, 2005.

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Conference Papers and Panels

  • "Jazzing the Gift: Improvisation, Reciprocity, Excess." Surplus/Excess Conference, UC Riverside, April, 2008.
  • Respondent, "Sovereign Exchanges: Ruling Bodies and Theories of the Gift." MLA Convention, Chicago, December, 2007.
  • Organizer and Respondent for three panels on "Autistic Texts." SAMLA Convention, Atlanta, November, 2007.
  • "Currents of Economic Criticism." Presentation, MLA Convention, Philadelphia, December, 2006.
  • "Noir’s Cars: Automobility and Amoral Space in American Film Noir." SAMLA Convention, Charlotte, NC, November, 2006.
  • Chair, "Performance and Performativity in DeLillo." American Literature Association Convention, San Francisco, May, 2006.
  • Chair and respondent, "Film Noir's Unfatal Femmes." Panel at SAMLA Convention, Atlanta, November, 2005.
  • Chair and organizer, "Mapping DeLillo's Cosmopolis." American Literature Association Convention, Boston, May, 2005.
  • "Face Plates: T-Men, Counterfeiting and Noir Representation." MLA Convention, Philadelphia, December, 2004.
  • Panel chair and organizer, "Cognitive Disability and Textuality: Autism and Fiction." MLA Convention, Philadelphia, December, 2004.
  • "Jazz Modernism: Romantic or Neoclassical?" ALSC Conference, New Orleans, November, 2004.
  • "Exploring Commodities through White Noise." American Literature Association Convention, San Francisco, May, 2004.
  • Chair and Respondent: "Improvisation in Jazz Writing." SAMLA Convention, Atlanta, November, 2003.
  • "The Great Expectations of Stephen Dedalus." North American James Joyce Conference, Tulsa, OK, June, 2003.
  • Chair and organizer, " 'Raids on Human Consciousness': Don DeLillo and the Narratives of Terror." SAMLA Convention, Baltimore, November, 2002.
  • Chair, organizer and respondent, "Blue Notes: Jazz History, Poetics and Fiction." SAMLA Convention, Baltimore, November, 2002.
  • "Gift or Commodity?" MMLA Convention, Minneapolis, November, 2002.
  • Chair and Respondent, "Writing Jazz." MLA Convention, New Orleans, December, 2001
  • " 'The stun of intrusion': Possession and Performance in The Body Artist." American Literature Association Convention, Cambridge, MA, May, 2001
  • "Ritual and Reenactment in Dubus's Short Fiction." Conference on the Work of Andre Dubus, Baltimore, March 2001.
  • " 'A Regular Swindle': The Failure of Gifts in Dubliners." Miami Joyce Conference, February 2001.
  • "Raising the Wind in Ulysses." University of Maryland Joyce Colloquium, November 2000.
  • " 'It Doesn't Pay to Antagonize the Public': Sabotage and Hitchcock's Audience." Narrative: An International Conference, Atlanta, April, 2000.
  • "Charms Against Death: Underground Art in DeLillo's Underworld." MLA Convention, Chicago, December, 1999.
  • "Silence, Exile, Cunning and So On: Joyce, DeLillo and Postmodern Authorship." North American James Joyce Conference, Charleston, SC, June, 1999.
  • "Gift or Commodity?" MLA Convention, San Francisco, December, 1998.
    Presider and Respondent: "Rethinking Consumption." MLA Convention, Toronto, December, 1997.
  • "Becoming Incorporated: Spectacular Authorship and DeLillo's Mao II," Literary Criticism Division, MLA Convention, Toronto, December, 1997; and Don DeLill "At the Edges of Perception," Conference held at Rutgers University, March, 1998.
  • " ' A World Inside the World': The Theology of Secrets in Don DeLillo's Libra." Narrative Literature Conference, Gainesville, FL, April, 1997.
  • "Meredith/Joyce: Bella Mount and Bella's Mount." James Joyce Conference, Miami, FL, February, 1997.
  • "The Economies of Texts: An Introduction to the Economics of Literature." Southern Economics Association, Washington DC, November, 1996.
  • Chair: New Economic Criticism I: Testing Markets; New Economic Criticism II: Marketing Texts. M/MLA Convention, Minneapolis, November, 1996.
  • Discussant, "(Un)Settling Accounts: Languages of the New Economic Criticism." MLA Convention, Chicago, December, 1995 (by invitation)
  • "Coming Attractions: Previews and Godardian Pretexts in DeLillo's Early Short Fiction." Literature/Film Association Conference, Ocean City, MD, December, 1995.
  • Discussant, "New Economic Criticism," MMLA Convention, St. Louis, November, 1995 (by invitation)
  • "Transients: The Economy of Secrets in DeLillo's Players." International Conference on Narrative Literature, April, 1995, Park City, UT.
  • Moderator: Plenary Session, Conference on New Economic Criticism, Case Western Reserve University, Cleveland, OH, October, 1994.
  • "Circulatory Systems in 'Wandering Rocks.'" James Joyce Conference, U of Miami, Feb. 1994.
  • "A High Grade Ha: The 'Politicoecomedy' of Headwear in Ulysses." International James Joyce Conference, Irvine, CA, June, 1993.
  • "Stephen's Treasure-House of Language in Portrait." International Joyce Conference, Irvine, CA, June, 1993.
  • "Making Both Ends Meet: Narrative Accounting in Joyce's 'Ithaca.'" Narrative: International Conference, Albany, NY, April, 1993.
  • "Cribs in the Countinghouse: Plagiarism, Proliferation and Labor in 'Oxen of the Sun.'" International James Joyce Symposium, Dublin, Ireland, June, 1992, and Conference on New Economic Criticism, Cleveland, OH, October, 1994.
  • "Coining Words: Clichés, Counterfeits and Forgeries in 'Eumaeus.'" James Joyce Conference, Miami, FL, February, 1992.
  • "The New Economic Criticism." Presentation at MMLA, Chicago, November, 1991.
  • "Seeking Renewal: Bloom, Advertising and the Domestic Economy." International James Joyce Conference, Vancouver, BC, June, 1991.
  • "The End of Bloom." James Joyce Conference, Miami, FL, Feb, 1991, and Central New York, MLA Conference, Cortland, NY, October, 1991.
  • "Female Property: Women and/as Gifts in Ulysses." James Joyce Conference, Miami, FL, February, 1990.
  • "Joyce's Revolutionary Economy in 'Cyclops.'" Representing Revolution, Atlanta, October, 1989.
  • "The Intertextual Economy in 'Scylla and Charybdis.'" International James Joyce Conference, Philadelphia, June, 1989.
  • "End Zone: Don DeLillo's Ascetic Apocalypse." Contemporary Literature Conference, Marietta, GA, April, 1989.
  • "Advertising Massproducts in Ulysses." James Joyce Conference, Milwaukee, June, 1987.
  • "Leopold Bloom and the Discourse of Advertising in Ulysses." American Comparative Literature Association Conference, Atlanta, March, 1987.
  • "Vico and Joyce: Poetic Logic and Heroic Self-Creation." Joyce-Vico Conference, Venice, Italy, June, 1985.

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Books Reviewed

  • Joseph Dewey, Beyond Grief and Nothing: A Reading of Don DeLillo. Twentieth Century Literature 53.4 (Winter 2007): 535-39.
  • Alfred Appel, Jr. Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce (New York: Alfred A. Knopf, 2002). Genre: Forms of Discourse and Culture (Summer, 2004): 341-3.
  • Patricia Stacey, The Boy Who Loved Windows: Opening the Mind and Heart of a Child Threatened with Autism (Cambridge: Da Capo Press, 2003). Disability Studies Quarterly Summer, 2004.
  • Tony Thwaites, Joycean Temporalities: Debts, Promises, and Countersignatures (Gainesville: UP of Florida, 2001). James Joyce Quarterly 39.4 (Summer, 2002): 867-70.
  • M. Keith Booker, Ulysses, Capitalism,and Colonialism (Westport, CT: Greenwood P, 2000). James Joyce Quarterly 39.3 (Spring 2002): 598-602.
  • Robert Seguin, Around Quitting Time: Work and Middle-Class Fantasy in American Fiction (Durham: Duke UP, 2001). American Literature 74 (2002): 680-82.
  • Peter Francis Mackey, Chaos Theory and James Joyce's Everyman (Gainesville: UP of Florida, 1999). English Literature in Transition 1880-1920 44:4 (2001): 526-29.
  • Garry Leonard, Advertising and Commodity Culture in Joyce (Gainesville: UP of Florida, 1998). Modern Fiction Studies 45 (1999): 1058-60.
  • Trevor L. Williams, Reading Joyce Politically (Gainesville: UP of Florida, 1997). James Joyce Quarterly 35:4/36:1 (Summer/Fall 1998): 883-86.
  • Calvin Thomas, Male Matters: Masculinity, Anxiety, and the Male Body on the Line (Urbana: U of Illinois P, 1996). Prolepsis: the Tuebingen Review of English Studies, 1998. Online.
  • Kevin J.H. Dettmar & Stephen Watt, eds., Marketing Modernisms: Self-Promotion, Canonization, and Rereading (Ann Arbor: U of Michigan P, 1996). James Joyce Literary Supplement 11.2 (Fall, 1997): 19.
  • Ruth Bauerle & Matthew J. C. Hodgart, Joyce's Grand Operoar: Opera in Finnegans Wake (Urbana: U of Illinois P, 1997). English Literature in Transition 1880-1920 41 (1998): 237-40.
  • Joyce Piell Wexler, Who Paid for Modernism? Art, Money, and the Fiction of Conrad, Joyce and Lawrence (Fayetteville: U of Arkansas P, 1997). Modern Fiction Studies 43 (1997): 1033- 35.
  • M. Keith Booker, Joyce, Bakhtin, and the Literary Tradition: Toward a Comparative Cultural Poetics (Ann Arbor: U of Michigan P, 1996). Modern Fiction Studies 43 (1997): 515-17.
  • Scott W. Klein, The Fictions of James Joyce and Wyndham Lewis: Monsters of Nature and Design (New York: Cambridge UP, 1994). Studies in the Novel 29 (1997): 126-28.
  • Joanna Scott, Various Antidotes (New York: Henry Holt, 1994). Studies in Short Fiction 33 (1996): 127-29.
  • Vincent J. Cheng, Joyce, Race, and Empire (Cambridge: Cambridge UP, 1995). Studies in Short Fiction 32 (1995): 515-18.
  • Barbara Foley, Radical Representations: Politics and Form in U.S. Proletarian Fiction, 1929-1941, (Durham: Duke UP, 1993). NOVEL 28 (1995): 348-51.
  • James Fairhall, James Joyce and the Question of History (Cambridge: Cambridge UP, 1993). Modern Fiction Studies 40 (1994): 404-06.
  • Will Self, Cock & Bull (New York: Atlantic Monthly P, 1993). Studies in Short Fiction 31 (1994): 505-7.
  • Bernard Benstock, Narrative Con/Texts in Dubliners (Urbana: U of Illinois P, 1994). James Joyce Literary Supplement 8:1 (Spring, 1994): 11.
  • Alan Roughley, James Joyce and Critical Theory: An Introduction (Ann Arbor: U of Michigan P, 1991). James Joyce Quarterly 30:4/31:1 (1993): 909-12.
  • Robert Scholes, In Search of James Joyce (Urbana: U of Illinois P, 1992). English Literature in Transition 1880-1920 37 (1994): 274-77.
  • Udaya Kumar, The Joycean Labyrinth: Repetition, Time, and Tradition in Ulysses (Oxford: Clarendon P, 1991.) James Joyce Literary Supplement 6:2 (Fall, 1992): 9-10.
  • John W. Aldridge, Talents and Technicians: Literary Chic and the New Assembly-Line Fiction (New York: Scribners, 1992). Studies in Short Fiction 29 (1992): 402-3.
  • Marguerite Alexander, Flights From Realism: Themes and Strategies in Postmodernist British and American Fiction (London: Edward Arnold, 1990) and
  • Jerry A. Varsava, Contingent Meanings: Postmodern Fiction, Mimesis and the Reader (Tallahassee: Florida St. UP, 1990). Modern Fiction Studies 37 (1991): 822-3.
  • Nancy Anisfield, ed., The Nightmare Considered: Critical Essays on Nuclear War Literature (Bowling Green: Bowling Green St. U Popular P, 1991). Nuclear Texts and Contexts 7 (Fall, 1991): 2-4.
  • Andrew Gibson, Reading Narrative Discourse: Studies in the Novel from Cervantes to Beckett (New York: St. Martin's, 1990). Modern Fiction Studies 37 (1991): 351-2.
  • William Zinsser, ed., Paths of Resistance: The Art and Craft of the Political Novel (Boston: Houghton Mifflin, 1989). Modern Fiction Studies 37 (1991): 357-8.
  • Christopher Rolfe and Patrick Parrinder, eds., H.G. Wells Under Revision (Selinsgrove: Susquehanna UP, 1989). Modern Fiction Studies 36 (1990): 600-01.
  • Gayle R. Ormiston and Raphael Sassower, eds., Narrative Experiments: The Discursive Authority of Science and Technology (Minneapolis: U of Minnesota P, 1989). Modern Fiction Studies 36 (1990): 674-5.

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Awards and Grants

  • Nachbahr Award for Research in the Humanities, Loyola College, 2000.
  • Donald Murphy Prize for Best First Book in Irish Studies (awarded by ACIS), 1995.
  • Center for the Humanities Grant: Baltimore Jazz History, 2009.
  • Loyola College Senior Sabbaticals: Spring, 2004; Spring, 1996.
  • Loyola College Summer Research Grants: 2009, 2007, 2006, 2004, 2003, 2001, 2000, 1998, 1996, 1995, 1993, 1992, 1990, 1989.
  • Loyola College Junior Faculty Sabbatical, Fall, 1991.
  • Emory Doctoral Fellowship, 1986-7.
  • George W. Woodruff Graduate Fellowship, Emory University, 1982-4, 1985-6.
  • PhD orals passed with distinction, 1985.
  • Winner, Emory University English Graduate Essay Contest, 1984.

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Professional Memberships and Offices

  • President, Don DeLillo Society, 2001-present.
  • Board of Directors, Society for Critical Exchange, 1999-2005.
  • Memberships: MLA, SAMLA, Literature/Film Association.

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Other Professional Experience

  • Advisor for Cherry Arnold's in-progress film on autism.
  • Organizer and/Program Director: "Autism and Representation: Cognition, Disability, Textuality." Society for Critical Exchange conference held at Case Western Reserve U, Cleveland, October, 2005.
  • Book Review Editor, Studies in Short Fiction, 1992-2002.
  • Co-Organizer, International Conference on Culture and Economics, Exeter, England, July, 1998.
  • Co-organizer, Conference on New Economic Criticism, sponsored by the Society for Critical Exchange, Case Western Reserve University, October, 1994.
  • Program Committee, "Don DeLillo 'At The Edges of Perception,'" International Conference, March, 1998.
  • Manuscript reader: Cornell UP; Stanford UP; U of Georgia P; U of Delaware P; U of Nevada P; Liverpool UP; PMLA; MFS; James Joyce Quarterly, Contemporary Literature; Mosaic; LIT; Papers on Language and Literature; Studies in Short Fiction, Studies in the Novel, Criticism.
  • Program Committee, Joyce Conference, Philadelphia, 1989.

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Courses Taught

LOYOLA COLLEGE (Undergraduate):

  • HN 280: Honors: The Modern World
  • EN 130 (now EN 101): Understanding Literature
  • EN 180: Introduction to Film and Literature: Reel Life Cycles: Identity and the Family in Film and Literature
  • EN 201 and 202: Major English Writers II
  • EN 370: Modern British and American Fiction
  • EN 371: Postmodern Fiction
  • EN 372: Modern British and American Poetry
  • EN 375: Twentieth-Century Irish Literature
  • EN 377: Topics in Twentieth-Century Literature: Modern Classic Revisions
  • EN 381: Fiction and Film
  • EN 382: Shades of Black: Film Noir and Post-war America (also taught as a seminar)
  • EN 386: Seminar: The Cinema of Alfred Hitchcock: Rear Windows and Wrong Men
  • EN 386: Seminar: From Berlin to Hollywood: German Directors and Classic American Cinema
  • EN 387: Seminar: Fictions of Money: Unsettling Accounts
  • EN 399: Seminar: James Joyce
  • EN 399: Seminar: England Swings: the Literature, Film and Culture of England in the 1960s
  • EN 399: Seminar: Blue Notes: The Literatures of Jazz
  • EN 400: Aperio Seminar: Baltimore Jazz History
  • EN 409: Senior Honors Seminar: Modern Classic Revisions: Twentieth-Century Rewritings of Classic Texts
  • EN 410: Honors Thesis
  • ID 111: The Films of Ingmar Bergman

LOYOLA COLLEGE (Graduate):

  • MM 680: Shades of Black: Film Noir and Post-war America
  • MM 721: Fiction and Film

EMORY UNIVERSITY:

Freshman Composition; Advanced Composition; Introduction to Literature; Twentieth-Century British Novel; Perspectives on Nuclear War.

UNIVERSITY OF MONTANA:

Freshman composition.

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Academic Service

English Department:

  • Co-ordinator, Jerome S. Cardin Memorial Lecture by Marc Shell, 1997.
  • Chair, Teaching Evaluation Committee, 1999-2000.
  • Directed Honors Theses for Dana Schwartz, 2009; Emily Oswald, 2006; Michael Winder, 2003; Timothy Jecmen, 2001; Amanda Ross, 1999; Heather McCarron, Laurie Robertson, 1997; Patrick Kennedy, 1994.
  • Curriculum Review Committee, 1994-95.
  • Director, English Dept. Honors, 1991-present.
  • Co-Sponsor, Sigma Tau Delta (English Honors Society), 1991-5.
  • Co-Chair, English Dept. Speakers Committee, 1990-91.
  • English Dept. Hiring Committees, 1989, 1992, 1996, 1997, 2000, 2007.
  • English Dept. library liaison, 1988-91.
  • Majors Adviser, 1992-present.

College:

  • Director of Film Studies, 1998-present.
  • Humanities Representative to Loyola Conference, 2003-present.
  • Budget Committee, 2003-present.
  • Chair: Curriculum Committee, 1997-98; Vice-Chair, 1995-96.
  • Chair: Film Studies Committee, 1998-present.
  • Writing and Media Self-Study Task Force, 2000.
  • Nachbahr Award Committee, 2000-03.
  • Faculty Compensation Committee, 2000-03.
  • Subcommittee on Assessment, Middle States Accreditation Task Force, 1998.
  • Participant in Multiculturalism Curriculum Infusion Institute, May-June, 1999.
  • Chair: Curriculum Subcommittee, Multicultural Affairs Committee, 1993-95. Coordinated and planned two curriculum infusion workshops, Spring, 1995.
  • Honors Council, 1992-4, 1998-2001.
  • Committee on Gender Studies, 1993-5.
  • Faculty Seminar on Multicultural Literature and Theory, 1993.
  • Multicultural Affairs Committee, 1991-98.
  • Diversity Plan Revision Subcommittee, 1992-3.
  • Personnel Subcommittee, Multicultural Affairs, 1991-3.
  • Loyola/Notre Dame Library Committee, 1991-2.
  • Student Speakers Series Committee, 1991-2.
  • Core Adviser, 1989-90; 1993-4; 1996-7, 2001-present.
  • Loyola College Jazz Ensemble and Jazz Combo, 1991-present.
  • Associate Editor, Presence (Jesuit-Lay Collaboration Magazine), 1988-90.

Public:

  • Member: Autism Society of America
  • President: Baltimore Jazz Alliance (see links to view the BJA website).

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Personal

Married to Leslie Gilden; one son.
Professional saxophonist and vocalist with Cold Spring Jazz Quartet (see musical resume for full list of recordings and performances). http://www.coldspringjazz.com.

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Recommended Reading

Cloud Atlas, by David Mitchell. One of the most exciting novels I've read in years - a dazzling, ingenious, visionary exploration of the theme of eternal recurrence.

The Bear Comes Home, by Rafi Zabor. An enthralling fable about a saxophone-playing bear; witty and funny, yet also a serious treatment of an artist's growth, and one of the best jazz novels yet written. 

Lark and Termite, by Jayne Anne Phillips. This time-jumping story of a female-headed family in W. Virginia offers a moving portrayal of a cognitively disabled child and his sister. 

Recommended Listening

From the Heart, by Hilario Duran and his Latin Jazz Big Band. This heart-stopping band displays mastery of every brand of Latin jazz. Their arrangement of "Mambo Influenciado" is an instant classic.

Memories of T, by Ben Riley's Monk Legacy Septet. Don Sickler's brilliant arrangements of tunes familiar ("Straight No Chaser") and obscure ("Green Chimneys") distinguish this outstanding collection of Thelonious Monk compositions.

Simple Song, by Ben Wendel. Superlative debut disc by reedman Wendel; highlights include the astonishing "Breath," and a gorgeous arrangement of Strayhorn's "A Flower Is a Lovesome Thing" for jazz bassoon.

Calima, by Diego Barber. Barber's delicate acoustic guitar melodies and innovative improvisations are elevated by Fly (Mark Turner, Larry Grenadier, Jeff Ballard) on this lovely debut collection of Spanish-inflected originals.

Forever Lasting, by Scott Robinson. Playing everything from flute to bass saxophone, Robinson presents eccentric and often inspired takes on Thad Jones classics. You haven't lived until you've heard "Fingers" played at lightning speed on contrabass sarrusophone!

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