Musical Resumé Mark W. Osteen 6700 Tweedbrook Rd. Baltimore, MD 21239 mosteen@loyola.edu 410-339-7721 mosteen@loyola.edu | mlcost33@comcast.net Click here to download the resumé in Microsoft Word (.doc) format |

Educational | Publications | Public Lectures and Professional Conferences | Performing Career | Recordings | Selected Compositions | Selected Arrangements
Educational - 1969-1972: Libby Senior High School Band and Stage Band, Libby, MT.
- 1972: All-State Band, Tenor Saxophone (Montana)
- 1973-76: Saxophone performance study; teacher, Gerald Doty, University of Montana.
- 1972-76: University of Montana Jazz Workshop, dir: Lance Boyd
- 1972: second chair, tenor saxophone
- 1974-5: baritone saxophone
- 1975-6: first chair, tenor saxophone
- Private saxophone teacher, Missoula, MT, 1979-82
- Tenor saxophone; arranger, composer, Loyola College Jazz Ensembles, 1991-present
- Taught seminar: Blue Notes: The Literatures of Jazz, in Loyola College English Department, Fall, 2004.
(Back to top) Publications - "Jazzing the Gift: Improvision, Reciprocity, Excess." Forthcoming in Rethinking Marxism.
- "Rhythm Changes: Copyright, Contrafacts, and Jazz Modernism." Forthcoming in Modernism and Copyright, ed. Paul K. Saint-Amour (Oxford UP).
- Editor, The Baltimore Real Book: Compositions by Baltimore Jazz Artists. Baltimore: BJA, 2007 (A "fake" book featuring 58 compositions by BJA member artists).
- Editor, "Blue Notes: Toward a New Jazz Discourse," a special issue of the scholarly journal Genre: Forms of Discourse and Culture 37.1-2 (Spring & Summer, 2004). Includes my introduction, "Blue Notes Toward a New Jazz Discourse" (pp. 1-46); edited 13 essays and four reviews. 352 pp.
- Review of Alfred Appel, Jr. Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce (New York: Alfred A. Knopf, 2002). Genre: Forms of Discourse and Culture (Summer, 2004): 341-3.
(Back to top) Public Lectures and Professional Conferences - "So What is Modern Jazz? A History of Segments and Fusions." Public lecture and concert for Jammin' at the Mansion concert series, Baltimore, May, 2005.
- Paper: "Jazz Modernism: Romantic or Neoclassical?" ALSC Conference, New Orleans, November, 2004.
- Chair and Respondent: "Improvisation in Jazz Writing." SAMLA Convention, Atlanta, November, 2003.
- Chair, organizer and respondent, "Blue Notes: Jazz History, Poetics and Fiction." SAMLA Convention, Baltimore, November, 2002.
- Chair and Respondent, "Writing Jazz." MLA Convention, New Orleans, December, 2001
(Back to top) Performing Career Pacific Northwest - 1971-2: vocalist, Isvara (hard rock)
- 1974: vocals, saxophone, Jailbait (blues-rock)
- 1975-78: lead vocals, saxophone, keyboards, Bailey Flyer (hard rock and funk)
Performed at clubs and dances in Montana, Idaho, Washington, Western Canada. - 1978-79: lead vocals, saxophone, keyboards, percussion, Daily Planet (top 40, fusion, hard rock). Performed at clubs and dances in Montana, Idaho, Washington, Western Canada.
- 1979-82: leader, lead vocals, saxophone, keyboards, Straitlace (top 40, fusion, rock).,Top one-nighter band in the region; also played clubs throughout Montana, Idaho and Washington.
Atlanta - 1983-87: vocals, keyboards, saxophone, No System ('60s rock and r & b).
Baltimore - 1994-present: leader, vocals, saxophones, Cold Spring Jazz Quartet. Mainstream jazz group performs at clubs, concerts, and private venues throughout Maryland/DC region. http://www.coldspringjazz.com
(Back to top) Recordings - Producer, Baltimore Jazzscapes II, a compilation CD by the Baltimore Jazz Alliance. Play alto saxophone on "Fallow" by Cold Spring Jazz Quartet.
- Producer, saxophones and vocals: Cold Spring Jazz Quartet. Urban Pastoral. 2008.
- Producer: Baltimore Jazzscapes, a compilation CD by the Baltimore Jazz Alliance. Play tenor saxophone on "Imagine That," by Cold Spring Jazz Quartet.
- Producer, saxophones, vocals. Cold Spring Jazz Quartet. Same Place. Different Time. 2003. http://www.coldspringjazz.com/CD.htm
(Back to top) Selected Compositions (For Jazz combo) - "The Amen Corner" (hard bop) 2002 (recorded on CSJQ CD Same Place. Different Time)
- "Cam's Blues" (blues with bridge) 2003 (recorded on CSJQ CD, Same Place. Different Time)
- "Blue Meridian (slow jazz/blues) 2003 (in CSJQ gig book)
- "Petals in the Rain" (ballad) 2004
- "Leap Day" (funk) 2004 (performed in concert by Loyola Jazz Combo, December, 2004; also in CSJQ gig book and included in Baltimore Real Book)
- "Isabel's Wake" (Latin) 2004 (performed in concert by Loyola Jazz Combo, April 2005)
- "Seventh Heaven" (uptempo jazz) 2004
- "Saffron" (jazz waltz) 2005
- "Song for a Sparrow" (modernist) 2005 (in CSJQ gig book)
- "Ariel" (uptempo jazz) 2005
- "January Greens (for Scott G)" (medium blues with a bridge) 2006
- "Black Olive” (6/4) 2006 (in CSJQ gig book; in Baltimore Real Book; recorded on CSJQ’s Urban Pastoral)
- “The Surge” (blues in 5/4) 2006 (premiered December 2007, Loyola Jazz Combo
- “Hmmmm?” (calypso/modern) 2006 (in CSJQ gig book)
- “Sneakin’” (shuffle) 2007 (in CSJQ gig book; in Baltimore Real Book; recorded on CSJQ’s Urban Pastoral)
- “Fallow” (ballad) 2007 (in CSJQ gig book; recorded on CSJQ’s Urban Pastoral)
- “Big Daddy” (hard bop) 2007 (performed by Loyola Jazz Combo, Dec. 2008)
- “Clean and Mean” (jazz-rock) 2008 (in CSJQ gig book)
- “Aubade” (bossa nova) 2008 (in CSJQ gig book)
- "Mortal Coil" (modern jazz) 2008 (in CSJQ gig book)
- "Tomcat's Croon" (medium groove) 2008 (in CSJQ gig book; performed by Loyola Jazz Combo, April, 2009)
- "The Violet Hour" (bossa nova) 2009 (in CSJQ gig book)
- "A Blue Streak" (uptempo jazz) 2009 (in CSJQ gig book)
- "Flamenco Rojo (flamenco w/ prelude) 2009
(Back to top) Selected Arrangements - "Crisis" (Freddie Hubbard): three horns, rhythm section 2002
- "Reincarnation Blues" (Wayne Shorter) three horns, rhythm section 2004
- "Big 'P'" (Jimmy Heath) three horns, rhythm section 2006
- “Bakai” (Cal Massey) three horns, rhythm section, 2007
- “The Surge” (Mark Osteen) three horns, rhythm section, 2007
- “The Drive” (Oliver Nelson) combo w/ two horns, 2008
- "Sneakin'" (Mark Osteen) combo w/ two horns, 2008
- "Clean and Mean" (Mark Osteen) combo w/ three horns, 2008
- "Big Daddy" (Mark Osteen) combo w/ four horns, 2008
- "Tomcat's Croon" (Mark Osteen) combo w/ four horns, 2009
- "Peggy's Blue Skylight" (Charles Mingus) combo with four horns, 2009
All performed by Loyola Jazz Combo. (Back to top)
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Cloud Atlas, by David Mitchell. One of the most exciting novels I've read in years - a dazzling, ingenious, visionary exploration of the theme of eternal recurrence. The Bear Comes Home, by Rafi Zabor. An enthralling fable about a saxophone-playing bear; witty and funny, yet also a serious treatment of an artist's growth, and one of the best jazz novels yet written. Lark and Termite, by Jayne Anne Phillips. This time-jumping story of a female-headed family in W. Virginia offers a moving portrayal of a cognitively disabled child and his sister. 
From the Heart, by Hilario Duran and his Latin Jazz Big Band. This heart-stopping band displays mastery of every brand of Latin jazz. Their arrangement of "Mambo Influenciado" is an instant classic. Memories of T, by Ben Riley's Monk Legacy Septet. Don Sickler's brilliant arrangements of tunes familiar ("Straight No Chaser") and obscure ("Green Chimneys") distinguish this outstanding collection of Thelonious Monk compositions. Simple Song, by Ben Wendel. Superlative debut disc by reedman Wendel; highlights include the astonishing "Breath," and a gorgeous arrangement of Strayhorn's "A Flower Is a Lovesome Thing" for jazz bassoon. Calima, by Diego Barber. Barber's delicate acoustic guitar melodies and innovative improvisations are elevated by Fly (Mark Turner, Larry Grenadier, Jeff Ballard) on this lovely debut collection of Spanish-inflected originals. Forever Lasting, by Scott Robinson. Playing everything from flute to bass saxophone, Robinson presents eccentric and often inspired takes on Thad Jones classics. You haven't lived until you've heard "Fingers" played at lightning speed on contrabass sarrusophone! |
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