Musical Resumé

Mark W. Osteen
6700 Tweedbrook Rd.
Baltimore, MD 21239
mosteen@loyola.edu
410-339-7721
mosteen@loyola.edu | mlcost33@comcast.net

Click here to download the resumé in Microsoft Word (.doc) format

Educational | Publications | Public Lectures and Professional Conferences | Performing Career | Recordings | Selected Compositions | Selected Arrangements

Educational

• 1969-1972: Libby Senior High School Band and Stage Band, Libby, MT.
• 1972: All-State Band, Tenor Saxophone (Montana)
• 1973-76: Saxophone performance study; teacher, Gerald Doty, University of Montana.
• 1972-76: University of Montana Jazz Workshop, dir: Lance Boyd
• 1972: second chair, tenor saxophone
• 1974-5: baritone saxophone
• 1975-6: first chair, tenor saxophone
• Private saxophone teacher, Missoula, MT, 1979-82

• Tenor saxophone; arranger, composer, Loyola College Jazz Ensembles, 1991-present
• Taught seminar: Blue Notes: The Literatures of Jazz, in Loyola College English Department, Fall, 2004.

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Publications

• Editor, The Baltimore Real Book: Compositions by Baltimore Jazz Artists. Baltimore: BJA, 2007 (A "fake" book featuring 58 compositions by BJA member artists).
• Editor, "Blue Notes: Toward a New Jazz Discourse," a special issue of the scholarly journal Genre: Forms of Discourse and Culture 37.1-2 (Spring & Summer, 2004). Includes my introduction, "Blue Notes Toward a New Jazz Discourse" (pp. 1-46); edited 13 essays and four reviews. 352 pp.
• Review of Alfred Appel, Jr. Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce (New York: Alfred A. Knopf, 2002). Genre: Forms of Discourse and Culture (Summer, 2004): 341-3.

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Public Lectures and Professional Conferences

• "So What is Modern Jazz? A History of Segments and Fusions." Public lecture and concert for Jammin' at the Mansion concert series, Baltimore, May, 2005.
• Paper: "Jazz Modernism: Romantic or Neoclassical?" ALSC Conference, New Orleans, November, 2004.
• Chair and Respondent: "Improvisation in Jazz Writing." SAMLA Convention, Atlanta, November, 2003.
• Chair, organizer and respondent, "Blue Notes: Jazz History, Poetics and Fiction." SAMLA Convention, Baltimore, November, 2002.
• Chair and Respondent, "Writing Jazz." MLA Convention, New Orleans, December, 2001

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Performing Career

Pacific Northwest

• 1971-2: vocalist, Isvara (hard rock)
• 1974: vocals, saxophone, Jailbait (blues-rock)
• 1975-78: lead vocals, saxophone, keyboards, Bailey Flyer (hard rock and funk)
  Performed at clubs and dances in Montana, Idaho, Washington, Western Canada.
• 1978-79: lead vocals, saxophone, keyboards, percussion, Daily Planet (top 40, fusion, hard rock). Performed at clubs and dances in Montana, Idaho, Washington, Western Canada.
• 1979-82: leader, lead vocals, saxophone, keyboards, Straitlace (top 40, fusion, rock).,Top one-nighter band in the region; also played clubs throughout Montana, Idaho and Washington.

Atlanta

• 1983-87: vocals, keyboards, saxophone, No System ('60s rock and r & b).

Baltimore

• 1994-present: leader, vocals, saxophones, Cold Spring Jazz Quartet. Mainstream jazz group performs at clubs, concerts, and private venues throughout Maryland/DC region. http://www.coldspringjazz.com

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Recordings

• Producer, saxophones and vocals: Cold Spring Jazz Quartet. Urban Pastoral. 2008.
• Producer: Baltimore Jazzscapes. Saxophone on "Imagine That," by Cold Spring Jazz Quartet.
• Producer, saxophones, vocals. Cold Spring Jazz Quartet. Same Place. Different Time. 2003. http://www.coldspringjazz.com/CD.htm

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Selected Compositions

(For Jazz combo)

• "The Amen Corner" (hard bop) 2002 (recorded on CSJQ CD Same Place. Different Time)
• "Violet" (bossa nova) 2002
• "Cam's Blues" (blues with bridge) 2003 (recorded on CSJQ CD, Same Place. Different Time)
• "Blue Meridian (slow jazz/blues) 2003 (in CSJQ gig book)
• "Petals in the Rain" (ballad) 2004
• "Utopia" (5/4) 2004
• "Leap Day" (funk) 2004 (performed in concert by Loyola Jazz Combo, December, 2004; also in CSJQ gig book and included in Baltimore Real Book)
• "Isabel's Wake" (Latin) 2004 (performed in concert by Loyola Jazz Combo, April 2005)
• "Seventh Heaven" (uptempo jazz) 2004
• "Saffron" (jazz waltz) 2005 (in CSJQ gig book)
• "Song for a Sparrow" (modernist) 2005 (in CSJQ gig book)
• "Ariel" (uptempo jazz) 2005
• "January Greens (for Scott G)" (medium blues with a bridge) 2006
• "Black Olive” (6/4) 2006 (in CSJQ gig book; in Baltimore Real Book; recorded on CSJQ’s Urban Pastoral)

• “The Surge” (blues in 5/4) 2006 (premiered December 2007, Loyola Jazz Combo)

• “Hmmmm?” (calypso/modern) 2006 (in CSJQ gig book)

• “Sneakin’” (shuffle) 2007 (in CSJQ gig book; in Baltimore Real Book; recorded on CSJQ’s    Urban Pastoral)

• “Fallow” (ballad) 2007 (in CSJQ gig book; recorded on CSJQ’s Urban Pastoral)

• “Big Daddy” (hard bop) 2007

• “Clean and Mean” (jazz-rock) 2008 (in CSJQ gig book)

• “Aubade” (bossa nova) 2008 (in CSJQ gig book)

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Selected Arrangements

• "Crisis" (Freddie Hubbard): three horns, rhythm section 2002
• "Reincarnation Blues" (Wayne Shorter) three horns, rhythm section 2004
• "Big 'P'" (Jimmy Heath) three horns, rhythm section 2006

• “Bakai” (Cal Massey) three horns, rhythm section, 2007

• “The Surge” (Mark Osteen) three horns, rhythm section, 2007

• “The Drive” (Oliver Nelson) combo w/ two horns, 2008

• "Sneakin'" (Mark Osteen) combo w/ two horns, 2008.

        All performed by Loyola Jazz Combo.

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