FINE ARTS Casting Light into Pixels: Introduction to Digital Photography Professor: Dan Schlapbach “To take photographs means to recognize both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one’s head, one’s eye and one’s heart on the same axis.” Think of your favorite photograph. Why is the image important to you? Is the subject significant (grandparent, best friend, world leader, landscape)? Does it evoke meaningful memories (lost relative, significant world event, family vacation)? Is it because of the look of the photograph (beautiful colors, spectacular light, striking composition)? The finest photographs contain components of all of these elements. In this course, we shall examine historical and contemporary photographs that have captured personalities, shaped visions, and provoked change. A richer understanding of the histories and theories of photographic imagery will enable students to look at the world around them and the images used to represent it with a keener and more perceptive eye. This refined perception will serve as the raw material from which students will craft photographs. We will explore camera controls, exposure, and composition tools, and strive to put our heads, eyes, and hearts into the production of fine photographs. Dan Schlapbach is an associate professor of fine arts and the director of the photography program. He received his MFA in photography from Indiana University. His work has been exhibited throughout the country, including at the New York City Film Festival. He works in a wide range of media, from 19th-century tintypes to digital constructions. A collection of his photographs of farmers and farmers’ markets was published in The Farmers’ Market Book in 2007. His work may be viewed online at www.schlapbach.com. | |