January 16–May 10, 2018
NO CLASSES, 3/5–3/8
LAST DAY TO WITHDRAW: 4/16/2018
LS 636.401: Deconstructing Post-Modernism: Literary Theory in a Post-Modern, Post-Colonial World
This course looks at the ways artists of the twentieth and the twenty-first century view their world and recreate it in their works. Students will study modern literature from around the world and reflect on the various ways in which different cultural traditions have confronted the questions of individual and collective identity. This course provides students with a working knowledge of the most important contemporary trends and figures from a wide range of literary traditions while examining the historical and social context in which each writer’s work develops.
Dr. Randall Donaldson, Tuesdays 6:30–9:00 p.m. [1/16–5/1, no class 3/6, 4/3, 5/1] (Historic)
LS 681.401: Living Theater
This is a hands-on course in which students will explore the process of beginning with a play text, developing an interpretation of it, and creating a solid production plan—a set of concrete choices that respond to a specific understanding of a text. To this end, students will read and interpret plays as “literature” and then go on to act in scenes from plays, consider the work a director might do on the text, and conceive of and execute scenic and costume designs. This work will be supported by readings in dramatic theory and attendance at and criticism of local theatre productions. The course will end with a group project in which the class develops an original theatre piece and brings it to full production. This is a course in considering possibilities —not finding the “correct” answer. Emphasis is placed on the work of the imagination in response to thoughtful analysis. Each activity will build on the one before, enhancing the student’s understanding of the process as a whole. While they may not become “master” actors, directors, etc., students will clearly grasp the interconnectedness of the key parts of the highly collaborative art-for that is Theatre.
Ms. Julia Brandeberry, Mondays, 6:30–9:00 p.m. [1/22–5/7, no class 3/5, 4/2, 5/7]. (Creative)
LS 782.401: Baltimore Stories
America is built upon a tradition of storytelling and activism. We have always found ways to claim our independence, to work to change unjust laws, policies, and procedures, and to share all that we have learned and all that we are with the next generation. Before we had a written language, storytelling was how we shared our stories and how we built and sustained our culture. Before we had a country, indentured servants—both black and white—longed for a place to call their own. They lay claim to the world they inhabited by creating narratives which shaped their view of the world. From bedtime stories to kitchen gossip, the Revolutionary War to the Civil War, Americans have used the power of words and the might of the sword to carve out new stories and preserve their significance for the future. At the same time, stories from the Holy Bible or the Torah or the Koran have been used to define the moral character of different religious groups throughout history even as they have been used by others to maintain oppressive regimes. Stories are important; they bestow power and authority. Who gets to tell them and who gets to hear them is part of the complicated pattern of relationships which make us who we are.
This course will examine Baltimore's rich and complicated history and explore some of the stories that have shaped and transformed it. Each state and each city has a story, there are a million of them; Baltimore City, as a microcosm of America, has thousands of them. From the 1968 Riots to the 2015 Baltimore Uprising, Baltimore City has used both storytelling and activism as tools to define and redefine its identity and its place within the national conversation. In each story and in each act of engagement the issues of race, class, and gender intersect. These moments of intersection demand our attention.
Dr. Karsonya Wise Whitehead, Thursdays, 6:30–9:00 p.m. [1/18–5/3, no class 3/8, 3/29, 5/3]. (Creative)
LS 669.601: Jane Austen’s World: The Marriage of Literature and Philosophy
This course will explore three of Jane Austen’s most beloved novels—Pride and Prejudice, Sense and Sensibility, and Emma—in the light of the philosophical theories they illustrate. Is the virtuous heroine a stoic, keeping emotion under control? Is she a feminist, showing independence in a man’s world? Or is she an illustration of Aristotle’s “golden mean?” Is Austen a proto-Marxist critiquing bourgeois life, or a social conservative? We will read novels, philosophical excerpts, and watch Austen on film, as we combine our business and pleasure.
Dr. Drew Leder, Tuesdays 6:30–9:00 p.m. [1/16–5/1, no class 3/6, 4/3, 5/1]. (Thematic)
LS 718.601: HELL & US: The Question of Evil from Medieval to Modern Culture
What is evil? Can a person be evil? What are the limits for ridiculing evil through satire?
This course will examine the question of evil in medieval and contemporary culture through a multidisciplinary perspective, employing insight and analysis from ethics, psychology, and the arts. By studying influential theologians and psychologists (Augustine, Aquinas, Stone), and focusing on paintings, poems, short stories, essays, songs, and movies within different time traditions (Michelangelo, Dante’s Inferno, Martin Luther King Jr, etc.), we will discuss broader ethical and social issues such as violence, war, mass murder, suicide, the representation of the devil in antiquity and modern times, political satire, dictatorship, and genocide.
We will first approach the general foundation of Christian ethics and the concept of evil through selected readings from Aristotle, Saint Augustine, and Thomas Aquinas and see their applications in literary works within the medieval tradition (mainly Dante’s Inferno), as well as in relations to essays by influential civil rights activists such as Frederick Douglass, Marcus Garvey, Malcom X, and Martin Luther King Jr. We will also examine artists (for instance Giotto, Michelangelo, William Blake, and Sandow Birk) and modern authors (such as Primo Levi, Mark Twain, and Ernest Hemingway) as well as filmmakers and directors (Sergio Leone’s Dollars trilogy and George Lucas’ Star Wars). Students will learn interactively through group discussions and presentations, and be actively engaged in approaching the topics from multiple perspectives. By the end of the course, students will create one analytic essay focused on a specific moral issue pertaining to the question of evil, one creative project where they will design their own hell based on Dante’s model from the Inferno, and a final research project that will incorporate both analytic and creative components. There will also be a special session via Skype with art director, writer, and producer Sandow Birk, who will discuss with students his groundbreaking movie.
Dr. Nicolino Applauso, Wednesdays 6:30–9:00 p.m. [1/17–5/2, no class 3/7, 4/4, 5/2]. (Historic)