Dr. Natka Bianchini
Samuel Beckett’s Theatre in America: The Legacy of Alan Schneider as Beckett’s American Director. New Interpretations of Beckett in the 21st Century. New York: Palgrave Macmillan Press, February 2015.
“Bare Interiors, Chicken Wire Cages and Subway Stations: Re-thinking Beckett’s Response to the ART Endgame in Light of Earlier Productions,” in Samuel Beckett’s Endgame, edited by Mark S. Byron. Amsterdam: Rodopi, 2007, 121-143.
Mabou Mines: Making Avant Garde Theatre in the 1970s, by Iris Smith Fischer, Theatre Survey 54 (May 2013), 313-315.
“Towards the Definition of Tragedy: Albee and The Goat, or Who is Sylvia?” Comparative Drama Conference, Baltimore, MD, March 2015.
“The Triangle Problem: Teaching Theatre History to a Mixed Audience,” Mid-America Theatre Conference, Cleveland, OH, March 2014.
“Remember That Time? Samuel Beckett Premieres at Arena Stage,” American Theatre and Drama Society panel for the Association for Theatre in Higher Education, Orlando, FL, August 2013.
Service to the Field:
Vice President, The Edward Albee Society
Editorial Board, The Edward Albee Review
Recent Production Work:
Rhinoceros, Ionesco Loyola University 2015
Cabaret, Kander and Ebb Loyola University 2014
Waiting for Godot, Beckett Loyola University 2013